Alienation and Theatricality Diderot After Brecht

Free Download Phoebe von Held, "Alienation and Theatricality: Diderot After Brecht"
English | 2011 | pages: 254 | ISBN: 1906540128, 0367602148 | EPUB | 0,7 mb
Alienation (Vefremdung) is a concept inextricably linked with the name of twentieth-century German playwright Bertolt Brecht – with modernism, the avant-garde and Marxist theory. However, as Phoebe von Held argues in this book, ‘alienation’ as a sociological and aesthetic notionavant la lettre had already surfaced in the thought of eighteenth-century French philosopher and writer Denis Diderot. This original study destabilizes the conventional understanding of alienation through a reading ofLe Paradoxe sur le comedien, Le Neveu de Rameau and other works by Diderot, opening up new ways of interpretation and aesthetic practices. If alienation constitutes a historical development for the Marxist Brecht, for Diderot it defines an existential condition. Brecht uses the alienation-effect to undermine a form of naturalism based on subjectivity, identification and illusion; Diderot, by contrast, plunges the spectator into identification and illusion, to produce an aesthetic of theatricality that is profoundly alienating and yet remains anchored in subjectivity.

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