Music Business Masterclass Make A Living As A Musician

Published 5/2023
MP4 | Video: h264, 1280×720 | Audio: AAC, 44.1 KHz
Language: English | Size: 6.94 GB | Duration: 6h 33m
Unlock the Sound of Success: Master the Music Business and Harmonize Your Career!

Free Download What you’ll learn
Making a living as a musician through royalties, streaming, placements, selling beats, and more.
Music business concepts including copyright, royalties, licensing, producer agreements, distribution, and more
How to get started as an independent music artist
Getting paid all of the royalties you are owed, and how to collect them
How music streaming works, and how to get paid for people streaming your music
Getting signed with a music publisher
What to look for in a record contract, how to find one, and how not to get taken advantage of!
Requirements
No music background is required.
A desire to learn the music business inside and out
Description
When I started making music as a young guitarist, the world was a very different place. In order to stay on top of trends, business principals, and legal issues, I had to become an expert in the music business. Now I teach music business at a university – in fact I run the whole music business degree program – and I walk students through this stuff every day.In this course, you’ll gain insider knowledge and strategies that go beyond what can be found in a simple Google search. Jason Allen, the creator of over 100 top-selling and highest rated classes, brings his expertise and real-world experience to guide you through the intricacies of the music business.This class has a ton of material. I’ve put my whole university semester into this class, so buckle up!Designed for those who want to make a living with music, this course covers essential topics such as copyright, trademark, performance royalties, licensing, merchandise, sync opportunities, and more. By the end of the course, you’ll have a clear understanding of the necessary steps to ensure you’re properly compensated for your work.This class contains:Copyright: The rules, the rights, and how to monetize your copyrights (that you already have)Collaboration: Who owns what when you are writing with bandmates, producers, collaborators, and other music makers.Publishing: The secret world of publishing, and why you need to care about it (Its easy!)Sync Licensing: Getting your music placed into films, TV, video games, and moreRecord Contracts: How they work, how to find them, and what to be cautious ofProducer Agreements & Selling Beats: This is a complicated copyright issue – I’ll walk you through it here.Digital Distribution: Getting your music out to the world, and opening doors for the next phase of your career.And so much more!Make a name for yourself in the music business and transform your passion into a profitable venture. This immersive curriculum covers the fundamentals of music business, empowering you to build a sustainable career as an independent music artist or industry professional. Don’t miss this opportunity to monetize your music, expand your network, and propel your music career to new heights.Jason Allen, renowned instructor and mentor to over 1 million students, is committed to your success. As an active participant in the course, he personally answers 100% of the questions posted, ensuring you receive the guidance and support you need.Don’t miss out on this opportunity to start your music career now. Click the enroll button and join the party on the inside!
Overview
Section 1: Introduction
Lecture 1 Introduction
Lecture 2 Who am I?
Lecture 3 Disclaimer: I am not a lawyer.
Lecture 4 Disclaimer: Regionality
Lecture 5 Copyright, licensing, and record deals
Lecture 6

Giant PDF of notes
Section 2: What is Copyright?
Lecture 7 Copyright in the Constitution
Lecture 8 Rights We Get
Lecture 9 Intellectual Property
Lecture 10 Copyright Does not Protect
Lecture 11 Educational Use
Section 3: Copyright Basics
Lecture 12 Term
Lecture 13 Public Domain
Lecture 14 History of Copyright
Lecture 15 Additional Materials
Lecture 16 How to get a copyright
Lecture 17 Fair Use is… tricky.
Lecture 18 Trademarks
Section 4: Work for Hire
Lecture 19 What is work For hire?
Lecture 20 Work for hire copyright term
Section 5: Collaboration
Lecture 21 Collaboration and copyright
Lecture 22 Presumption of equal ownership (Including song lyrics)
Lecture 23 How a band divides copyright
Section 6: Why you need to master "Publishing"
Lecture 24 Publishing: Not just for books anymore!
Lecture 25 Musicians as publishers
Lecture 26 Co-Publishers
Lecture 27 Working with a publisher
Section 7: Performing Rights Organizations
Lecture 28 The history of the PRO
Lecture 29 What the PROs do
Lecture 30 How the PRO gets paid
Lecture 31 How to join a PRO, and which one to join
Lecture 32 How you get paid by the PRO
Lecture 33 The "publisher cut"
Section 8: Mechanical Licenses
Lecture 34 The player piano
Lecture 35 Writers and publishers
Lecture 36 Two methods for getting a mechanical license
Lecture 37 The Harry Fox Agency
Lecture 38 Ok, what does it cost?
Section 9: Synchronization & Dramatic Rights
Lecture 39 Back to silent movies
Lecture 40 Sync deals
Lecture 41 Dramatic rights
Lecture 42 All the rights!
Section 10: A Few Odd Copyright Examples
Lecture 43 The Love Song Medley
Lecture 44 Hairball and Tribute Bands
Lecture 45 The Frank Zappa Tribute Band
Lecture 46 A case for all the rights
Section 11: How a Recording Company Works (Traditionally)
Lecture 47 What is a "master recording"?
Lecture 48 The 5 roles of a traditional record company
Lecture 49 Record Labels: Discovery
Lecture 50 Record Labels: Capital
Lecture 51 Record Labels: Produce
Lecture 52 Record Labels: Distribute
Lecture 53 Record Labels: Promotion
Lecture 54 Do artists still need a record label?
Section 12: How many albums do you want to make for the record company?
Lecture 55 What is a Term?
Lecture 56 Additional Songs
Lecture 57 Contract options
Lecture 58 Making 10 albums doesn’t mean releasing 10 albums
Section 13: Advances: The big payday from the record company
Lecture 59 The "million dollar record deal"
Lecture 60 Recoupment
Lecture 61 Payback
Section 14: Royalties: A million little paydays
Lecture 62 What kind of royalties?
Lecture 63 The royalty basis
Lecture 64 The royalty rate you will get from the record label
Section 15: Merchandise: An secondary income for the touring musician
Lecture 65 Merchandising rights: Making t-shirts, stickers, patches, and more
Lecture 66 Merch companies
Lecture 67 On-site sales
Section 16: 360 Deals: A recent addition for the record labels
Lecture 68 Why "360"?
Lecture 69 Taylor Swift
Section 17: Producer Agreements: Working with producers, and working as a producer
Lecture 70 The Producer
Lecture 71 The legendary George Martin
Lecture 72 Selling Beats: How to sell beats, and where to sell beats
Lecture 73 "Development deals" with a producer
Section 18: What is Distribution?
Lecture 74 The last stronghold of "the majors"
Lecture 75 Independent label distribution partnerships
Lecture 76 Distribution alone deals
Lecture 77 DIY distribution: going it alone
Lecture 78 The effect of file sharing
Lecture 79 Additional resources
Section 19: Digital Distribution & The Laws
Lecture 80 The labels fight back – music industry digital revolution
Lecture 81 Additional resources
Lecture 82 1992: Audio Home Recording Act
Lecture 83 1995: Digital Performance Right in Sound Recording Act
Lecture 84 1998: Digital Millennium Copyright Act
Lecture 85 2000: RIAA creates SoundExchange
Lecture 86 2003: SoundExchange spun off into own company
Section 20: Digital Distribution Today: Getting your music on Spotify, Apple Music, and more
Lecture 87 The GateKeepers
Lecture 88 Popular Companies: Distrokid, Symphonic Distribution
Lecture 89 Inside my personal account
Lecture 90 A look at my royalty statements
Lecture 91 What you need to get started
Section 21: Hidden Royalties: A few more opportunities
Lecture 92 The ways we get paid
Lecture 93 The secret of SoundExchange
Lecture 94 Setting up Sound Exchange
Section 22: Wrap Up
Lecture 95 What comes next?
Lecture 96 Some additional resources
Lecture 97 Thanks for watching!
Lecture 98 Bonus Lecture
Anyone at any level who is ready to start making a living with their music.

Homepage

www.udemy.com/course/music-business/

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